Track the Flow of Campaign Contribution
USA TodayThis interactive tracks the flow of donations from individuals during the 2008 election cycle, allowing a user to examine the donations by state, date, amount and sector for various recipients.
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Building the Web Together (by Google Chrome) From a humble...
Building the Web Together (by Google Chrome)
From a humble beginning of static text, images, and links, the web has grown into a rich platform teeming with interactive content and powerful applications.
More…High on the job (by theifilestv) Imagine you?re a pot...
High on the job (by theifilestv)
Imagine you?re a pot reporter. Pot as in weed, marijuana, bud. What could possibly go wrong when you cover a drug that is legally contentious but widely tolerated? CIR reporter Michael Montgomery finds out the hard way.
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More…Into the Arctic
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Take a journey into the Arctic and explore for yourself its natural wonders, the threat of the encroaching oil industry, and follow the struggle to Save the Arctic. The Arctic is under pressure from oil companies seeking to exploit its fossil resources. They see the melting of the sea ice, not as a warning, but as a business opportunity.Austin Music Map
The Austin Music Map is a collaboration between KUTX and YOU. Take us into your corner of the city. Show us a musical venue we?ve never heard of before. Surprise us with your favorite undiscovered musician. Let us in on Austin?s best kept musical secrets.
More…Out of Sight, Out of Mind: A visualization of drone strikes in Pakistan since 2004
Out of Sight, Out of Mind: A visualization of drone strikes in Pakistan since 2004:
Since 2004, the US has been practicing in a new kind of clandestine military operation. The justification for using drones to take out enemy targets is appealing because it removes the risk of losing American military, it?s much cheaper than deploying soldiers, it?s politically much easier to maneuver (i.e. flying a drone within Pakistan vs. sending troops) and it keeps the world in the dark about what is actually happening. It takes the conflict out of sight, out of mind. The success rate is extremely low and the cost on civilian lives and the general well-being of the population is very high. This project helps to bring light on the topic of drones. Not to speak for or against, but to inform and to allow you to see for yourself whether you can support drone usage or not.
More…Tiny Collective and The Impossible Project Artist Profile: Elif...
Tiny Collective and The Impossible Project Artist Profile: Elif Suyabatmaz (by Tiny Collective)
Tiny Collective and the Impossible Project present: AROUND THE WORLD IN 9 DAYS WITH TINY COLLECTIVE: A TOURING INSTANT LAB MOBILE PHOTOGRAPHY EXHIBITION New York City / Paris / Toronto / Los Angeles / Istanbul / San Francisco / Atlanta / Dubrovnik / Portland // June 20, 2013 -June, 28, 2013 //
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NYTimes' Lens'
Because of the excellent suggestions from Times' Lens' contributors and since it's no secret I work at the Times as the Multimedia Editor, I went ahead and included NYTimes' Lens' Must See RSS feed to the Interactive Narratives' NetVibes Universe. You can More…
Trent Nelson's "The Click" blog
I found Trent Nelson’s "The Click" blog via Zach Wise. The Click is quick. And their RSS feed is now a part Photojournalism area of the Interactive Narrative More…
On Twitter
Want to get faster updates of multimedia stories and interactive narratives? Follow Interactive Narratives, or INarratives, on twitter at http://twitter.com/inarratives. More…
New Feeds on Interactive Narratives' NetVibes Universe
I just added a few more feeds to our NetVibes Universe. Any other must haves on the list? New ones include: - Multimedia Shooter (on Video Journalism) - Boston.com's The Big P More…
New Multimedia Training Opportunities at the University of Miami
For almost a decade, the multimedia bootcamp workshops at the University of North Carolina provided one of the main training sites for hundreds of professional journalists seeking to understand new storytelling tools and techniques and to gain hands-on tr More…
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